Bamako is full of contrasts and contradictions. It’s a huge village. Tradition holds a very important place and the youth resolutely aspires to modernity. To me, visually speaking, Bamako is an open-air installation. I love its light, its river, its hills, its new tarmacked avenues that suddenly turn into little bumpy roads…. I use architecture as a language to bear witness to social change.
“If there is anything like contemporary African art, it is those creations that are cognisant of this element of spontaneity and improvisation, which tends to work with, and draw from it the possibility of alternative forms and aesthetics. Therefore “being African” is to blur the lines between possible and impossible rendering the very state of “being” indefinable.”